The American Society of Cinematographers

Loyalty • Progress • Artistry
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Milk
Page 2
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Let the Right One In
DVD Playback
ASC Close-Up
All of the production’s footage was pull-processed 1 stop at Technicolor in Los Angeles, and Savides carried out the digital intermediate, his first, at EFilm with colorist Mike Hatzer. “Doing a DI enabled us to shoot 3-perf and save some money on film stock,” notes Savides. “Also, I’d never done a DI for a project that originated on film, and I thought it was time to try it — post seems to be going that way.”


TECHNICAL SPECIFICATIONS

Super 1.85:1

Super 35mm (3-perf) and 16mm

Arricam Studio, Lite; Canon Scoopic
Cooke and Angenieux lenses

Kodak Vision 500T 5279/7279

Digital Intermediate

Printed on Kodak Vision 2383


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