1.33:1
Dolby Digital 2.0
Paramount, $24.95
How much can be said about perfection? The classic 1953 Paramount
release Roman Holiday had it
all: the perfect stars (Audrey Hepburn and Gregory Peck), the
perfect director (William
Wyler) and the perfect script (by Dalton Trumbo). Now,
thanks to some restorative magic by Lowry Digital, this DVD looks
perfect as well.
Roman Holiday is a fairy tale in reverse, as a stifled princess
(Hepburn) flees an endless gauntlet of scripted personal appearances
and has one Grand Day Out as a regular girl. Peck plays the seemingly
opportunistic newspaperman who pretends not to recognize her
when he finds her dozing in the Forum. He helps her achieve her
dream so he can get an exclusive, along with clandestine snapshots
by his photographer buddy (Eddie Albert). All too soon, he realizes
that he's in love with the princess and opts not to turn the
material over to his paper, even though this decision will hurt
his career. In turn, she chooses duty over love, knowing she
will never see him again.
Shot entirely in Rome by French cinematographer Henri Alekan,
whose credits include Topkapi and Mayerling, Roman Holiday was directed by Wyler,
who was making his first comedy in two decades. Wyler had
begun his career in the mid-1920s, making six-day Westerns for
Universal. As an assistant director on the silent Ben-Hur,
he could never have dreamed he would helm the 1959 remake, winning
his third Oscar for direction. One of the most respected directors
the industry ever produced, Wyler was
often said to have no discernible style. But his films, with
their lack of camera movement and unnecessary cutting, now seem
a welcome relief from modern, frenetic, MTV-influenced work.
Roman Holiday marked Hepburn's Hollywood debut. She was discovered
by Colette, the French author of Gigi,
while making a small British film; Colette insisted that she
be cast as the lead in the upcoming Broadway version. Hepburn
won the Academy Award for Roman Holiday and
became one of the most beloved actresses of all time.
In the "It's About Time" department, Paramount is
finally giving screenwriting credit to Trumbo,
who was blacklisted by the House Unamerican Activities
Committee during the McCarthy era. Trumbo's credit
was made possible when the picture's title background footage
was discovered in the studio's stock library.
"Roman Holiday was an enormous challenge," relates
DVD mastering director Ron Smith. "The film was posted in
Rome and the nitrate negative's location is unknown. Originally,
we only had elements that had been blown up to hide a scratch
on the right side of the frame throughout the entire length of
reel one. Unfortunately, this often cropped off the top of Gregory
Peck's head. Then we found a correct dupe neg. I've never been
so happy to find scratched footage!"
Using Wyler's print as a reference,
Lowry performed several procedures. After the film was deflickered and steadied and the scratch had been removed,
dirt and grain still remained. "There were hundreds of bits
of photographed-in dirt per frame," John Lowry recalls, "and
the amplitude of the grain was as much as 25 percent. This means
that on anything white, like Peck's shirt, the grain had a gray
value of 25 percent. A normal level is about 3 percent." Restored
at film resolution, the work took six months to complete. "We
removed the grain that had been added by the duping process, then made
a new negative. The film now looks like it did when it was released
50 years ago."
An excellent selection of supplementary material includes a
wonderful 25-minute featurette titled "Remembering Roman
Holiday," a 14-minute tribute to costumer designer Edith
Head, and a seven-minute supplement about the restoration.
- Greg Kimble
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