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| A foggy forest, dubbed “well world,” was built within a Universal soundstage to give the filmmakers complete control over this key sequence. Production designer Jim Bissell and his crew dressed the set with brush, dirt and real birch trees. Beristain lit the space with a combination of fixtures: 20Ks corrected with 1⁄2 Blue and bounced into 20'x20' muslins; overhead, uncorrected Maxi-Brutes; and, to create highlights, Xenons corrected to 4000°K. | ||
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© 2005 American Cinematographer. | |