|
||
|
<< previous || next >> | |
|
|
|
|
||
| The melancholy works of painter Edward Hopper were a major influence on the look of the film. This shot and the next of Sullivan and his son Michael Jr. (Tyler Hoechlin) sharing a meal in a diner offer a prime example of the Hopper aesthetic, in which light and space are used to convey emotional subtext. | ||
|
|
|
|
© 2002 American Cinematographer. | |