|
||
|
<< previous || next >> | |
|
|
|
|
||
| The filmmmakers lent a comforting glow to both exteriors and interiors set at the house in Brittany. According to Delbonnel, “We started out with the rule that there would be no sunshine in the trenches, and that there would always be sunshine at Mathilde’s house in Brittany.” (Image 1 of 2) | ||
|
|
|
|
© 2004 American Cinematographer. | |