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| The filmmakers attempt to cross a massive ravine but soon fall into the lair of a giant spider. Addressing his approach to the “spider pit,” Lesnie explains, “The only source of light is the sunlight from above. I used a boom lift with a rig consisting of aircraft-landing lights to provide a strong toplight, and some 10Ks gelled with White Flame Green to give everything a slightly green, murky quality — the bottom of the pit is so far down that it’s developed its own luminosity. | ||
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© 2005 American Cinematographer. | |