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| For Taylor (above), Dr. Strangelove (1964) was “a unique experience because the lighting was to be incorporated in the sets, with little or no other light used.” The iconic War Room set — where President Muffley (Peter Sellers) faces off with Russian ambassador De Sadesky (Peter Bull) — is a prime example of this approach. (Image 3 of 3) | ||
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© 2006 American Cinematographer. | |