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Wayne’s visit to the Himalayan monastery turns hostile, forcing him to defend himself against an entire contingent of battle-hardened ninjas. The monastery’s tri-level courtyard was built on Stage C at Shepperton. Production designer Nathan Crowley left the set’s top and sides open and kept the roof low to accommodate the cinematographer’s lighting plans. Quarter Wendy Lights and four 20Ks on an overhead platform were used to provide general ambience, while 20-25 2K Blondes were used to send additional light through the walls. (Image 2 of 2)
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