Best Cinematography
- 1997 (70th)
Titanic
- Russell Carpenter, ASC
- 1996 (69th)
The English Patient
- John Seale, ASC, ACS
- 1995 (68th)
Braveheart
- John Toll, ASC
- 1994 (67th)
Legends of the Fall
- John Toll, ASC
- 1993 (66th)
Schindler's List
- Janusz Kaminski, ASC
- 1992 (65th)
A River Runs Through It
- Philippe Rousselot, AFC
- 1991 (64th)
JFK
- Robert Richardson, ASC
- 1990 (63rd)
Dances With Wolves
- Dean Semler, ASC, ACS
- 1989 (62nd)
Glory
- Freddie Francis, BSC
- 1988 (61st)
Mississippi Burning
- Peter Biziou, BSC
- 1987 (60th)
The Last Emperor
- Vittorio Storaro, ASC, AIC
- 1986 (59th)
The Mission
- Chris Menges, BSC
- 1985 (58th)
Out of Africa
- David Watkin, BSC
- 1984 (57th)
The Killing Fields
- Chris Menges, BSC
- 1983 (56th)
Fanny and Alexander
- Sven Nykvist, ASC
- 1982 (55th)
Gandhi
- Ronnie Taylor, BSC and Billy Williams, BSC
- 1981 (54th)
Reds
- Vittorio Storaro, ASC, AIC
- 1980 (53rd)
Tess
- Ghislain Cloquet and Geoffrey Unsworth, BSC
- 1979 (52nd)
Apocalypse Now
- Vittorio Storaro, ASC, AIC
- 1978 (51st)
Days of Heaven
- Nestor Almendros, ASC
- 1977 (50th)
Close Encounters of the Third Kind
- Vilmos Zsigmond, ASC
- 1976 (49th)
Bound for Glory
- Haskell Wexler, ASC
- 1975 (48th)
Barry Lyndon
- John Alcott, BSC
- 1974 (47th)
The Towering Inferno
- Joseph Biroc, ASC and Fred Koenekamp, ASC
- 1973 (46th)
Cries and Whispers
- Sven Nykvist, ASC
- 1972 (45th)
Cabaret
- Geoffrey Unsworth, BSC
- 1971 (44th)
Fiddler on the Roof
- Oswald Morris, BSC
- 1970 (43rd)
Ryan's Daughter
- Freddie Young, BSC
- 1969 (42nd)
Butch Cassidy and the Sundance Kid
- Conrad Hall, ASC
- 1968 (41st)
Romeo and Juliet
- Pasqualino De Santis
- 1967 (40th)
Bonnie and Clyde
- Burnett Guffey, ASC
- 1966 (39th)
Who's Afraid of Virginia Wolfe?
- Haskell Wexler, ASC (black-and-white)
A Man For All Seasons
- Ted Moore, BSC (color)
- 1965 (38th)
Ship of Fools
- Ernest Laszlo, ASC (black-and-white)
Doctor Zhivago
- Freddie Young, BSC (color)
- 1964 (37th)
Zorba the Greek
- Walter Lassally, BSC (black-and-white)
My Fair Lady
- Harry Stradling, ASC (color)
- 1963 (36th)
Hud
- James Wong Howe, ASC (black-and-white)
Cleopatra
(1963) - Leon Shamroy, ASC (color)
- 1962 (35th)
The Longest Day
- Jean Bourgoin and Walter Wottitz (black-and-white)
Lawrence of Arabia
- Fred A. Young, BSC (color)
- 1961 (34th)
The Hustler
- Eugen Shuftan (black-and-white)
West Side Story
- Daniel L. Fapp, ASC (color)
- 1960 (33rd)
Sons and Lovers
- Freddie Francis, BSC (black-and-white)
Spartacus
- Russell Metty, ASC (color)
- 1959 (32nd)
The Diary of Anne Frank
- William C. Mellor, ASC (black-and-white)
Ben-Hur
- Robert Surtees, ASC (color)
- 1958 (31st)
The Defiant Ones
- Sam Leavitt, ASC (black-and-white)
Gigi
- Joseph Ruttenberg, ASC (color)
1957 (30th)
The Bridge on the River Kwai
- Jack Hildyard, BSC
- 1956 (29th)
Somebody Up There Likes Me
- Joseph Ruttenberg, ASC (black-and-white)
Around the World in 80 Days
- Lionel Lindon, ASC (color)
- 1955 (28th)
The Rose Tattoo
- James Wong Howe, ASC (black-and-white)
To Catch a Thief
- Robert Burks, ASC (color)
- 1954 (27th)
On the Waterfront
- Boris Kaufman, ASC (black-and-white)
Three Coins in the Fountain
- Milton Krasner, ASC (color)
- 1953 (26th)
From Here to Eternity
- Burnett Guffey, ASC (black-and-white)
Shane
- Loyal Griggs, ASC (color)
- 1952 ( 25th)
The Bad and the Beautiful
- Robert Surtees, ASC (black-and-white)
The Quiet Man
- Winton C. Hoch, ASC and Archie Stout, ASC (color)
- 1951 (24th)
A Place in the Sun
- William C. Mellor, ASC (black-and-white)
An American in Paris
- John Alton and Alfred Gilks (color)
- 1950 (23rd)
The Third Man
- Robert Krasker, BSC (black-and-white)
King Solomon's Mines
- Robert Surtees, ASC (color)
- 1949 (22nd)
Battleground
- Paul C. Vogel, ASC (black-and-white)
She Wore A Yellow Ribbon
- Winton Hoch, ASC (color)
- 1948 (21st)
The Naked City
- William Daniels, ASC (black-and-white)
Joan of Arc
- Winton Hoch, ASC,
- William V. Skall, ASC and Joseph A. Valentine, ASC (color)
- 1947 (20th)
Great Expectations
- Guy Green, BSC (black-and-white)
Black Narcissus
- Jack Cardiff, BSC (color)
- 1946 (19th)
Anna and the King of Siam
- Arthur Miller, ASC (black-and-white)
The Yearling
- Arthur Arling, ASC,
Charles Rosher, ASC
Leonard M. Smith, ASC (color)
- 1945 (18th)
The Picture of Dorian Gray
- Harry Stradling, ASC (black-and-white)
Leave Her to Heaven
- Leon Shamroy, ASC (color)
- 1944 (17th)
Laura
- Joseph LaShelle, ASC (black-and-white)
Wilson
- Leon Shamroy, ASC (color)
- 1943 (16th)
The Song of Bernadette
- Arthur Miller, ASC (black-and-white)
Phantom of the Opera
- W. Howard Greene and Hal Mohr, ASC (color)
- 1942 (15th)
Mrs. Miniver
- Joseph Ruttenberg, ASC (black-and-white)
The Black Swan
- Leon Shamroy, ASC (color)
- 1941 (14th)
How Green Was My Valley
- Arthur Miller, ASC (black-and-white)
Blood and Sand
- Ernest S. Palmer, ASC and Ray Rennahan, ASC (color)
- 1940 (13th)
Rebecca
- George Barnes, ASC (black-and-white)
The Thief of Bagdad
- Georges Perinal (color)
- 1939 (12th)
Wuthering Heights
- Gregg Toland, ASC (black-and-white)
Gone With the Wind
- Ernest Haller, ASC and Ray Rennahan, ASC (color)
- 1938 (11th)
The Great Waltz
- Joseph Ruttenberg, ASC
- 1937 (10th)
The Good Earth
- Karl Freund, ASC
- 1936 (9th)
Anthony Adverse
- Gaetano Gaudio, ASC
- 1935 (8th)
A Midsummer Night's Dream
- Hal Mohr, ASC
- 1934 (7th)
Cleopatra
- Victor Milner, ASC
- 1932/33 (6th)
A Farewell to Arms
- Charles B. Lang, Jr., ASC
- 1931/32 (5th)
Shanghai Express
- Lee Garmes, ASC
- 1930/31 (4th)
Tabu
- Floyd D. Crosby, ASC
- 1929/30 (3rd)
With Byrd at the South Pole
- Joseph T. Rucker and Willard Van Der Veer
- 1928/29 (2nd)
White Shadows in the South Seas
- Clyde DeVinna, ASC
- 1927/28 (1st)
Sunrise
- Charles Rosher, ASC and Karl Struss, ASC
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