While the ASC strives to make its website as accessible as possible, the content here is many years old and online for archival and historical reasons. Unlike the rest of our website, it's not feasible to make it completely accessible. Please email us at webeditor@ascmag.com with any questions about this content, and for the latest American Cinematographer content, please visit ascmag.com.


May '98 Online Articles

Sponsored Articles:

Gonzo Filmmaking
Cinematographer Nicola Pecorini head to the American desert to help director Terry Gilliam unleash Fear and Loathing in Las Vegas
Unholy Grail
Director Terry Gilliam applies his gleefully demented visual brilliance to the hallucinatory world of Hunter S. Thompson
Bravura Broadcasts
ASC applauds the year's finest television cinematography
Celebrating the Spirit of Invention
AMPAS honors ASC associate member Don Iwerks and others for their contributions to cinema technology
Initial Images
The art of constructing memorable main-title sequences is being revitalized through clever use of both production and post techniques
Caught: A Lost Classic
Legendary Director Max Ophuls and accomplished cinematographer Lee Garmes, ASC lent their skills to a widely-scorned 1949 picture that has proven its worth over time

Subscriber's Only:

The Towering Challenge of Everest
The top of the world is conquered anew, this time by an intrepid team of filmmakers documenting the peak's majestic glory
Touching the Edge of Heaven
MacGillivray Freeman Films makes large-format history in the Himalayan "Death Zone"
Double Vision
Director Phil Joanou and cinematographer Marc Reshovsky combine a split-screen frame with experimental techniques for U2's arresting new video
The Big Picture
A new post process for large-format films transforms 2-D images into stereoscopic 3-D spectaculars
Effecting Dreamscapes for Ma Vie En Rose
The French facility Sparx creates a digital fantasyland for farcical tale


ACTIVATE Your Online Account!