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| A dreaming Swofford walks through an eerily lit barracks. According to gaffer Chris Napoletano, cinematographer Roger Deakins, ASC, BSC “wanted the barracks to look dreamy and disorienting, with a very sharp crisscross pattern created by the windowpanes.” To create this effect for the wide shot, the filmmakers positioned Alpha 4K X Lights and Arri 6K X Lights on Condors outside the windows, and employed some additional units to generate arbitrary patterns on the walls. | ||
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© 2005 American Cinematographer. | |