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| Prieto and director Julie Taymor made the most of digital-intermediate technology at EFilm in Hollywood to create some extreme looks to match Kahlo's moods. Taymor wanted to give Kahlo's trip to Paris the look of early movies with hand-tinted color. "This Paris nightclub scene was filmed at a hotel in Mexico that had an incredible stained-glass ceiling," Prieto recalls. "At EFilm, we took it to a maroonish hue, desaturated the skin tones and enhanced color in some parts of the frame." | ||
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© 2002 American Cinematographer. | |