|
||
|
<< previous || next >> | |
|
|
|
|
||
| Shot as a test a week before principal photography began, this scene in Sky Captain’s office was a proving ground for the film’s noir look. The “set” consisted of a door frame, a cabinet and a desk. With no practical wall between the door and the filing cabinet on frame right, Adkins was able to bring light in on the cabinet from a more pleasing angle. | ||
|
|
|
|
© 2004 American Cinematographer. | |