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| For a daytime interior set inside the Crawley family residence, cinematographer Declan Quinn exploited the location’s 20'-tall bay window, which boasted 500-year-old amber glass. “We wanted to keep that color, so I lit through the glass and let the color play,” he says. To control the exposure, Quinn placed .3ND or .6ND gels over the windows that were visible in the frame. | ||
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© 2004 American Cinematographer. | |