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Nolan (at camera) and Pfister (in cap) line up a scenic composition on location in Iceland. Summarizing his working relationship with Nolan, Pfister offers, “A lot of our interaction on this film was unspoken, because we get each other. Chris understands where I’m coming from, and I understand where he’s coming from. We can really cut to the chase in our conversations. He knows he can trust my aesthetic sensibilities and my interpretation of things, and I know what he likes to see on the screen.”
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