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In Prieto's lighting scheme, 6K space lights through a 20'x40' gridcloth provided overcast daylight; for sunny scenes, the crew switched off three bulbs on each unit to reduce ambient light and created directional sunlight with a few 20Ks. A 6x6 Blanket Lite through gridcloth on stands provided fill. For night scenes, a few of the space lights were switched on and gelled with 1/4 CTB and 1/4 Plus Green; Prieto augmented practicals with Baby and Junior Sputniks gelled with 216 and 1/4 CTO. The T12s hanging from the grid were shone through the windows for sunny interiors. |
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© 2002 American Cinematographer. | ![]() |