In Swimming Pool, the repressed Sarah Morton (Charlotte
Rampling), a best-selling author of British mystery novels,
is frustrated with the direction her career has taken. Fed
up with being reduced to creating moneymaking pulp fictions,
she is determined to take her talents in a new direction. On
the advice of her charming but evasive publisher, John (Charles
Dance), she departs on a literary retreat to hammer out her
next novel at his remote villa in the south of France. When
Sarah isn't strolling through the village countryside, she
is diligently writing with newfound creative juices while gazing
out over the garden's long, rectangular pool.
Late one evening, Sarah's idyllic writing studio is disturbed
by the arrival of John's estranged daughter, Julie (Ludivine
Sagnier), who has come to spend some time at her childhood
home. Both women, surprised at the other's presence, take an
immediate dislike to one another. Soon the atmosphere becomes
tense and combative. Free-spirited and provocative Julie cannot
abide by prim Sarah's rules of silence, and the younger woman's
promiscuous nature only exacerbates the tension. Just as the
women find a way to coexist, a deadly incident occurs at the
pool. Suspense brews as Sarah and Julie must align to keep
from drowning in a crime that threatens to implicate both of
them.
With clever nods to both Clouzot's Diabolique and Bergman's Persona,
French filmmaker Francois Ozon's sexy thriller Swimming
Pool made a splash stateside last summer. Fans of Ozon's
work know that his visuals are often intensely saturated and
highly stylized, and Swimming Pool is no exception.
Ozon tapped frequent collaborator Yorick Le Saux (Sitcom, Eager
Bodies) to photograph the film; as with many of their films,
they chose a strong primary-color palette to bring Swimming
Pool's narrative elements to life. Indeed, the film is
sharply drawn into two parts: the rainy, slate-gray of London,
where Sarah is tense and suffocating, and the lush, sensual
landscape of the French countryside, with particular attention
given to the aquatic tones of the titular pool.
Universal Home Video has precisely recreated Le Saux's lighting
scheme with an excellent color transfer that shows not a trace
of chroma noise or artifacts in even the deepest primary colors.
The audio tracks are also excellent, giving crisp life to Phillippe
Rombi's mischievous score with a solid, inviting mix that makes
full range of the both the standard Dolby 5.1 and the slightly
stronger DTS track.
Universal's Focus Features, which distributed Swimming
Pool in the States, is among the latest Hollywood studio "art
house" subdivisions devoting itself to developing eclectic
American material and distributing unusual and interesting
international fare. In hopes of drawing attention to Focus
DVDs, Universal Home Video includes on this disc a mandatory-view
preview of Focus' current library (in mini-trailer format)
to give viewers an idea of what kind of material it hopes
will continue to be a hit with the public. The disc continues
with feature supplements that include the slick theatrical
trailer for Swimming Pool and an impressive array
of deleted and/or extended scenes from the film. Many of
these scenes serve well in trying to work out the mystery
beneath the surface of Swimming Pool, and even first-time
viewers of the film will enjoy searching for clues or alternate
narrative layers; part of the fun of watching these scenes
is trying to figure out what direction the film might have
taken if some had been used.
The Swimming Pool DVD has been released in two versions
that are sold separately: the original, unrated version and
the more conservative, R-rated version. Upon evaluating both
versions, it appears that only the full-frontal nudity and
some explicit groping between Julie and her doomed paramour,
Frank, have been omitted. In retrospect, the deletions seem
silly, because Swimming Pool is very much an adult film
about voyeurism, spectatorship and how an audience and an author
view a text while experiencing or creating it. This playful
and brazenly sexy outing deserves to have all of its tricky
visuals intact, for they give its viewers all the more reason
to plunge into its mystery.
- Kenneth Sweeney