Adam Scott and Britt Lower as Mark and Helly in Season 2 of Severance. (Photo courtesy of Apple.)
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Inside the July 2025 Issue of American Cinematographer

ASC Staff

The July 2025 issue of American Cinematographer spotlights the evolving artistry of lighting for streaming series. Productions covered in this issue include Severance, Black Mirror, Doctor Who, Adolescence and Daredevil: Born Again. An expanded showcase of New Products and Services also offers a look at camera tracking for virtual production.



Shooting Severance Season 2


The crew of Severance Season 2 films Scott and Lower for a scene in which their characters visit Lumon’s Mammalians Nurturable, aka the “Goat Department.” (Photo courtesy of Apple.)

Cinematographer/director/producer Jessica Lee Gagné, alongside cinematographers David Lanzenberg, ASC and Suzie Lavelle, BSC, ISC, and director/executive producer Ben Stiller, share how they collaborated to create the surreal world of Severance. Director Uta Briesewitz, ASC also shares insight into Season 2's distinctive visual tone. The filmmakers' discussion reveals how the Apple TV Plus thriller series' lighting techniques enhance the dual realities depicted in its story.


Also Read — Severance: Ben Stiller Shares Creative and Personal Influences


Watch — Clubhouse Conversations: Severance (Season 2) | Cinematographer Jessica Lee Gagné


Crafting Sci-Fi Aesthetics for Black Mirror


Cinematographers Jo Willems, ASC, SBC; Stephan Pehrsson, BSC; Philipp Haberlandt, BVK; and Álvaro Gutiérrez, AEC break down their lighting strategies and other creative and technical choices for the latest season of Netflix’s dystopian anthology, Black Mirror.


A Singular Episode of Doctor Who


Ashley Barron, ACS on the set of Doctor Who's latest season. (Photo by James Pardon, courtesy of BBC Studios / Disney / Bad Wolf.)

In “The Story & the Engine,” an inventive episode of Doctor Who, cinematographer Ashley Barron, ACS brings a new visual language to the BBC/Disney Plus series. Barron explains how the crew's lighting concepts, and her collaboration with the VFX team, helped elevate the show's signature time-travel action.


Bringing Raw Emotion to Adolescence


Cinematographer Matthew Lewis and gaffer Max Hodgkinson discuss their approach for a crucial episode of Adolescence. The filmmakers' key lighting and camera-movement choices help the Netflix limited series balance social realism and fraught family dynamics.


Daredevil: Born Again — Superhero, Mean Streets


The Punisher (aka Frank Castle, played by Jon Bernthal) and Daredevil (Charlie Cox) confer in the aftermath of a vicious battle with rogue cops in Daredevil: Born Again. (Photo by Giovanni Rufino, courtesy of Marvel Television / Disney Plus.)

Cinematographers Hillary Fyfe Spera and Pedro Gómez Millán, AMC bring the grit of 1970s New York City-set cinema to a modern superhero story for Daredevil: Born Again. The Marvel series, streaming on Disney Plus, features a perilous showdown set in a penthouse that called for elaborately choreographed lighting cues.


New Products and Services


This month’s showcase expands to highlight a variety of tools for tracking production cameras in virtual-production environments.


In Memoriam: Bruce Logan, ASC


A tribute to the late visual-effects expert, whose work on 2001: A Space Odyssey, Star Wars and Tron, among other productions, has left lasting impact on the medium.


Wrap Shot: The Godfather (1972)


Gordon Willis, ASC checks his light as director Francis Coppola confers with camera operator Michael Chapman in the background on the set of The Godfather. (Photo courtesy of the ASC Archive.)

Revisiting Gordon Willis, ASC’s work on the influential restaurant-shooting scene in director Francis Ford Coppola's The Godfather.

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