| 3 Models | EOS C700 / EOS C700 PL / EOS C700 GS PL |
| Sensor | Super 35 SMOS sensor with 6.4 micron sensels |
| Total Photosites EOS C700/C700 PL | 4622 x 2496 (11.54MP) |
| Total Photosites C700 GS PL | 4374 x 2496 (10.92 MP) |
| Effective Image Area | EOS C700 / C700 PL: 28.9 mm x 15.2 mm (32.6 mm diagonal) raw |
| EOS C700 GS PL: 27.3 mm x 15.2 mm (31.3 mm diagonal) raw | |
| All models: 26.2 mm x 13.8 mm (29.6 mm diagonal) in 4096 x 2160 or 2048 x 1080 | |
| Effective Sensels EOS C700/C700 PL | 4096 x 2160 in 4K (8.85 MP) or 4512 x 2376 in raw (10.72 MP) |
| Effective Sensels EOS C700 GS PL | 4096 x 2160 in 4K (8.85 MP) or 4272 x 2376 in raw (10.15 MP) |
| Lens Mounts | EF (Cinema Lock type), PL |
| ISO | 160 - 25,600 (and 100 - 102,400 with expanded sensitivity) |
| Size | Approx. 6.6 x 6.1 x 12.9 inches (167 x 154 x 327 mm) |
| Weight | Approx 7.6 lb (3.4 kg) |
| Internal ND Filters | Clear, 2, 4, 5, 8, 10 stop |
| Viewfinder | OLED Electonic View Finder EVF-V70 (sold separately) |
| Menu Display | 3-inch (7.66 cm) color liquid crystal approx 1.036 million dots |
| Recording Media | CFast cards (s slots) for XF-AVC and ProRes |
| SD card for XF-AVC proxies and JPEG photos | |
| Codex Capture Drive 2.0 for raw | |
| Video Formats | XF-AVC/MPEG-4 AVC/H.264 |
| ProRes Apple Codec | |
| raw uncompressed | |
| Audio Recording | Linear PCM (24-bit 48kHz) 4-channel |
| XF-AVC on Internal CFast Cards | XF-AVC 4096 x 2160 / 3840 x 2160 4:2:2 10-bit up to 60 fps |
| XF-AVC 2048 X 1080 / 1920 X 1080 4:2:2 10-bit up to 120 fps | |
| XF-AVC 2048 x 1080 / 1920 x 1080 4:4:4 10-bit and 12-bit up to 60 fps | |
| ProRes on Internal CFast Cards | ProRes 422 HQ 4096 x 2160 / 3840 x 2160 10-bit up to 30 fps |
| ProRes 422 HQ 2048 x 1080 / 1920 x 1080 10-bit up to 60 fps | |
| ProRes 444 2048 x 1080 / 1920 x 1080 12-bit up to 60 fps | |
| Raw and ProRes onto Codex Capture Drive | 4k raw 4096 x 2160 12-bit up to 120 fps |
| 4.5k raw 4512 x 2376 12-bit up to 100 fps | |
| ProRes 422 4096 x 2160 / 3840 x 2160 10-bit up to 60 fps | |
| ProRes 422 and ProRes 422 HQ 2048 x 1080 / 1920 x 1080 10-bit up to 240 fps | |
| ProRes 444 and ProRes 444 XQ 2048 x 1080 / 1920 x 1080 12-bit up to 60 fps | |
| Gamma Modes | Canon Log 3 / Canon Log 2 / Canon Log / Wide DR / etc. |
| Color Space | Cinema Gamut / BT.2020 / DCI-P3 / BT.709 |
| LUTs | BT.709 / BT.2020 / DCI / ACESproxy / HDR-ST2049 / and others |
| Slow & Fast Recording | Slow motion up to 240 fps |
| White Balance | AWB, 2000K - 15,000K, 20CC to +20CC, Daylight, Tungsten, Presets A and B |
| Time Code | Drop frame in the 59.94 Hz mode, non-drop frame, rec run, free run, regen |
| Rear Connectors - Input | Timecode In/Out, Genlock/SYNC OUT, Remote (A/B), MIC, 2x XLR Audio |
| Rear Connectors - Output | 2x MON, 4x SDI-OUT, HDMI OUT, headphones, Genlock/SYNC OUT, TIME CODE in/out Video |
| DC Power In | 12V DC XLR 4-pin on camera body / 24V DC (10-34V) via Fisher 2-pin on Codex CDX-36150 recorder |