June 2017
Paul Cameron, ASC: Q&A 1
Cameron takes questions from the Breakfast Club audience on creative inspiration, Collateral, exposure philosophy and on-set practices....more
Cameron takes questions from the Breakfast Club audience on creative inspiration, Collateral, exposure philosophy and on-set practices....more
Opining that the choice of lenses separates one cinematographer from another, Cameron talks about his preference for the 2.40:1 aspect ratio and anamorphic lenses in particular. ...more
Cameron recalls the challenges of his first foray into HD feature production, notes how digital workflows have advanced since, and emphasizes that creativity should always trump technology. ...more
Cameron details the ways in which he and Scott tortured their film stock while shooting with an array of cameras....more
Cameron discusses his early cinematic influences, how he got into the union as a director of photography, and what he learned from shooting commercials for director Tony Scott....more
The cinematographer reveals how his early interest in production design evolved into his passion for cinematography...more
Bailey talks production designers, the choreography evident in Orson Welles’ Touch of Evil, and the impact cinematographers Gregory Sandor and Néstor Almendros, ASC have had on his career....more
Bailey praises anamorphic 35mm’s ability to be both broad and intimate, and it’s painterly way of separating characters from their environments....more