October 2021
Filmmaker’s ForumBergman Island Journal — Part IV
Denis Lenoir, ASC, AFC, ASK’s updates on the making of this unique project set on Fårö, the Swedish island where Ingmar Bergman shot four features, lived, died and is buried.
Denis Lenoir, ASC, AFC, ASK’s updates on the making of this unique project set on Fårö, the Swedish island where Ingmar Bergman shot four features, lived, died and is buried.
Denis Lenoir, ASC, AFC, ASK’s updates on the making of this unique project set on Fårö, the Swedish island where Ingmar Bergman shot four features, lived, died and is buried.
Denis Lenoir, ASC, AFC, ASK’s updates on the making of this unique project set on Fårö, the Swedish island where Ingmar Bergman shot four features, lived, died and is buried.
Denis Lenoir, ASC, AFC, ASK’s updates on the making of this unique feature project set on Fårö, the Swedish island where Ingmar Bergman shot four features, lived, died and is buried.
It’s easy to feel intimidated when you’re facing your first feature, and it’s especially daunting when you know you’ll have limited crew and resources.
The cinematographer details his experience while shooting this fantastical series based on the long-running DC Comics title — combining the Arri Alexa LF with Panavision T Series anamorphics for a distinctive look.
Firearms experts and cinematographers form relationships that go beyond mutual respect. We share many characteristics. We want it good, we want it safe, we want it quick, and we want it within budget.
Writer-director Alison McAlpine, director of photography Benjamín Echazarreta, visual-effects cinematographer Mathieu Laverdière and visual-effects supervisor Philippe Toupin discuss the making of this award-winning documentary.
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