July 2018
Shot CraftWorking With Drones
Eric Austin, the director of media operations and chief pilot at M2 Aerials offers insight on getting started.
Eric Austin, the director of media operations and chief pilot at M2 Aerials offers insight on getting started.
High dynamic range is among the latest and certainly one of the most game-changing technologies to impact our work as cinematographers. But is it a step forward or back?
“It looks like we, as cinematographers, will be racking up more frequent-flyer miles than ever... Let’s face it: Our industry has become a global one.”
Thoughts on the great Geoffrey Unsworth, BSC and his influential, Oscar-winning camerawork in Bob Fosse’s Cabaret (1972), among other films.
Addressing how the media abandoned civility and truth in the case of AMPAS President and ASC member John Bailey.
The cinematographer details her experience on the creative endurance test of shooting a weekly series.
Light is a strange and powerful phenomenon — in what we do with it as cinematographers, and in reference to the very essentials of life and the intricacies of nature that inspire us as image makers.
A video edit of colorist Peter Doyle speaking about HDR, color, the film print legacy and post-production etiquette, from footage shot at an AFC event in Paris.
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