American Cinematographer's Iain Marcks sits with Eduard Grau, cinematographer of Buried, discussing the creative and technical challenges of setting the entire film within the constraints of a coffin, as well as the decision to shoot film over video....more
Rabbit Hole director John Cameron Mitchell and cinematographer Frank DeMarco discuss using the Red One camera, shooting with older lenses and shooting unobtrusively for great performances from their cast....more
The Emmy-nominated cinematographer died on Nov. 28, 2010, at the age of 92. His credits include the features Westworld and Prime Cut and TV series Lost in Space and It Takes a Thief....more
American Cinematographer’s Jim Hemphill interviews director Nicolas Winding Refn about how shooting Valhalla Rising in the remote Scottish Highlands impacted his creative vision, and he discusses using the Red camera with cinematographer Morten Søborg....more
Edward Lachman, ASC, talks about the concepts behind visualizing the work of artists Bob Dylan and Allen Ginsberg, especially on the indie Howl....more
Phedon Papamichael, ASC discusses the complexities of shooting the big-budget, effects-filled Tom Cruise movie, Knight and Day, comparing this large and highly technical shoot with some his previous, smaller films....more
John Bartley, ASC, CSC discusses his work on the J.J. Abrams series Lost — including the peculiarities of shooting on location in Hawaii and working a show with multiple cinematographers....more
Victor J. Kemper, ASC reviews his work on the 1973 film The Friends of Eddie Coyle, starring Robert Mitchum and shot entirely on location in Boston and Connecticut, with fellow ASC member Richard Crudo....more