2024 Emmy Nominees Include 16 ASC Members

The 76th annual Primetime Emmy Awards nominations were revealed by the Academy of Television Arts and Sciences on the morning of July 17, with the American Society of Cinematographers well represented among those recognized for their work.

The primary 76th Emmy Awards ceremony will broadcast live on ABC on Sunday, September 15, (8:00-11:00 PM EDT/5:00-8:00 PM PDT) from the Peacock Theater at L.A. LIVE and stream the next day on Hulu. The 76th Creative Arts Emmy Awards take place at the Peacock Theater over two consecutive nights on Saturday, September 7, and Sunday, September 8, with an edited presentation to air on Saturday, September 14, at 8:00 PM EDT/PDT on FXX.

Here are the nominees in each category for camerawork (a complete list with all Emmy categories can be found here):

Outstanding Cinematography for a Multi-Camera Series (Half-Hour)
Bob Hearts Abishola • “These Giants Are Flexible” • CBS • Chuck Lorre Productions, Inc. in association with Warner Bros. Television
Patti Lee, ASC, Director of Photography

The Conners • “Fire and Vice” • ABC • Werner Entertainment
Donald A. Morgan, ASC, Director of Photography

Frasier • “Reindeer Games” • Paramount+ • CBS Studios in association with Grammnet NH Productions
Gary Baum, ASC, Director of Photography

How I Met Your Father • “Okay Fine, It's A Hurricane” • Hulu • 20th Television
Gary Baum, ASC, Director of Photography

Night Court • “A Night Court Before Christmas” • NBC • After January Productions in association with Warner Bros. Television and Universal Television
Wayne Kennan, ASC, Director of Photography

The Upshaws • “Forbidden Fruit” • Netflix • Savannah Sweet Productions and Push It Productions for Netflix
Chuck Ozeas, Director of Photography

Outstanding Cinematography for a Single-Camera Series (Half-Hour)
The Bear • “Forks” • FX • FX Productions
Andrew Wehde, Director of Photography

Hacks • “Just For Laughs” • HBO | Max • Universal Television in association with Paulilu, First Thought Productions, Fremulon Productions, 3 Arts Entertainment
Adam Bricker, ASC Director of Photography

Physical • “Like A Rocket” • Apple TV+ • Tomorrow Studios in association with Apple
Jimmy Lindsey, ASC, Director of Photography

Reservation Dogs • “Deer Lady” • FX • FX Productions
Mark Schwartzbard, Director of Photography

Sugar • “Starry Eyed” • Apple TV+ • Apple Studios
Richard Rutkowski, ASC, Director of Photography

Outstanding Cinematography for a Series (One Hour)
The Crown • “Ritz” • Netflix • Left Bank Pictures and Sony Pictures Television for Netflix
Sophia Olsson, FSF, Director of Photography

The Crown • “Sleep, Dearie Sleep” • Netflix • Left Bank Pictures and Sony Pictures Television for Netflix
Adriano Goldman, ASC, BSC, ABC, Director of Photography

Shōgun • “Anjin” • FX • FX Productions
Christopher Ross, BSC, Director of Photography

Shōgun • “Crimson Sky” • FX • FX Productions
Sam McCurdy, ASC, BSC, Director of Photography

3 Body Problem • “Judgment Day” • Netflix • Netflix Studios / Bighead Littlehead / The Three-Body Universe / T-Street / Plan B Entertainment / Primitive Streak
Martin Ahlgren, ASC, Director of Photography

Winning Time: The Rise Of The Lakers Dynasty • “Beat L.A.” • HBO | Max • HBO in association with HyperObject Industries, Steeplechase Amusements, Jim Hecht Productions and Jason Shuman Productions
Todd Banhazl, ASC, Director of Photography

Outstanding Cinematography for a Limited or Anthology Series or Movie
All The Light We Cannot See • “Episode 4” • Netflix • 21 Laps Entertainment for Netflix
Tobias Schliessler, ASC, Director of Photography

Fargo • “The Tragedy Of The Commons” • FX • FX Presents an MGM/FXP Production
Dana Gonzales, ASC, Director of Photography

Griselda • Middle Management • Netflix • A Netflix Series / Grand Electric
Armando Salas, ASC, Director of Photography

Lessons In Chemistry • “Little Miss Hastings” • Apple TV+ • Apple Studios
Zachary Galler, Director of Photography

Ripley • “V Lucio” • Netflix • Showtime and Endemol Shine North America in association with Entertainment 360 and Filmrights for Netflix
Robert Elswit, ASC, Director of Photography

True Detective: Night Country • “Part 6” • HBO | Max • HBO in association with Peligrosa, Neon Black, Anonymous Content, Parliament of Owls and Passenger
Florian Hoffmeister, BSC, Director of Photography

Outstanding Cinematography for a Nonfiction Program
Beckham • “The Kick” • Netflix • A Netflix Documentary Series / A Studio 99 Production in association with Ventureland
Tim Cragg, Director of Photography

Girls State • Apple TV+ • Concordia Studio presentation of a Mile End Films production in association with Apple
Laura Hudock, Director of Photography
Laela Kilbourn, Director of Photography
Daniel Carter, Director of Photography
Erynn Patrick Lamont, Director of Photography
Keri Oberly, Director of Photography
Thorsten Thielow, Director of Photography
Martina Radwan, Director of Photography

Jim Henson Idea Man • Disney+ • Imagine Documentaries Productions, Disney Branded Television
Igor Martinovic, Director of Photography
Vanja Cernjul, ASC, Director of Photography

Our Planet II • “Chapter 1: World On The Move” • Netflix • Silverback Films for Netflix
Brad Bestelink, Cinematography by
Kyle McBurnie, Cinematography by

Planet Earth III • “Extremes” • BBC America • A BBC Studios Natural History Unit Production co-produced with BBC America, ZDF and France Télévisions for BBC
Luke Nelson, Director of Photography
John Shier, Director of Photography

Outstanding Cinematography for a Reality Program
The Amazing Race • Series Body of Work • CBS • WorldRace Productions, Inc.
Joshua Gitersonke, Director of Photography
Bryan T. Adams, Camera
Kathryn Barrows, Camera
Kurt Carpenter, Camera
Petr Cikhart, Camera
Diego J. Contreras, Camera
David D'Angelo, Camera
Matthew Di Girolamo, CSC, Camera
Rob Gowler, Camera
Adam Haisinger, Camera
Jamie Holland, Camera
Kevin R. Johnson, Camera
Jay Kaufman, Camera
Ian Kerr, CSC, Camera
Tim Laks, Camera
Regan Letourneau, Camera
Danny Long, Camera
Lucas Kenna Mertes, Camera
Ryan Shaw, Camera
Alan Weeks, Camera
Stephen A. Coleman, Camera
Willie Shipp, Camera

Life Below Zero • “Bulletproof” • National Geographic • BBC Studios Los Angeles for National Geographic
Charlie Beck, Director of Photography
Michael Cheeseman, Director of Photography
Danny Day, Director of Photography
Pedro Delbrey, Camera Operator

Survivor • Series Body of Work • CBS • MGM Studios
Peter Wery, Director of Photography
Scott Duncan, Director of Photography
Russ Fill, Director of Photography
Tim Barker, Camera
Marc Bennett, Camera
Paulo Castillo, Camera
Rodney Chauvin, Camera
Chris Ellison, Camera
Ben Gamble, Camera
Nixon George, Camera
Marcus Hebbelmann, Camera
Derek Hoffmann, Camera
Matthias Hoffmann, Camera
Toby Hogan, Camera
Derek Holt, Camera
Efrain "Mofi" Laguna, Camera
Ian Miller, Camera
Nico Nyoni, Camera
Paul Peddinghaus, Camera
Nejc Poberaj, Camera
Louis Powell, Camera
Thomas Pretorius, Camera
Jovan Sales, Camera
Erick Sarmiento, Camera
Dirk Steyn, Camera
John Tattersall, Camera
Holly Thompson, Camera
Paulo Velozo, Camera
Cullum Andrews, Camera
Christopher Barker, Director of Aerial Photography
Granger Scholtz, Director of Aerial Photography
Nic Van Der Westhuizen, Ariel Camera Operator
Dwight Winston, Aerial Camera Operator

The Traitors • “The Funeral” • Peacock • Studio Lambert
Siggi Rosen-Rawlings, Director of Photography
Matt Wright, Director of Photography

Welcome To Wrexham • Series Body of Work • FX • Boardwalk Pictures
Craig Hastings, Director of Photography
Ed Edwards, Director of Photography
James Melrose, Director of Photography
Craig Murdoch, Director of Photography
Verdy Oliver, Director of Photography
Esther Vardy, Director of Photography
Leighton Cox, Director of Photography
Tom Reece, Director of Photography
Gareth Roberts, Camera
Joe Clifford, Camera
Joby Newson, Camera
Mike Staniforth, Camera
Dillon Scheps, Camera