![Michael Goi, ASC, ISC: Introduction](https://cdn.theasc.com/_1329x748_crop_top-center_none/Michael-Goi-Breakfast_001.00_02_20_22.Still001.jpg)
August 2017
Michael Goi, ASC, ISC: Introduction
How he became involved in American Horror Story during the show’s first season, which was kicked off by cinematographer John Aronson....more
How he became involved in American Horror Story during the show’s first season, which was kicked off by cinematographer John Aronson....more
Working with director Alfonso Gomez-Rejon on the second season of AHS, and explains how point-of-view was key to his lighting approach. ...more
Seale discusses the challenges of shooting in the confines of a cab....more
How his day for night work was dictated by logistics and a schedule change, and why it was necessary to overexpose by two stops rather than underexpose to give a “suggestion” of night....more
How the original 3D camera rigging was effectively used on the 2D cameras, and how he integrated the smaller Canon 5Ds, Olympus DSLRs and Black Magics into the camera package as “crash cameras.”...more
Seale reveals that for a majority of the film, the vehicles were not moving during the many chase scenes, and credits the VFX team for their stellar work....more