July 2017
Karl Walter Lindenlaub, ASC, BVK: Dolphin Tale
How he came aboard the project, shooting in 3-D for the first time, and creating different looks inside of the aquarium set and lighting day exteriors....more
How he came aboard the project, shooting in 3-D for the first time, and creating different looks inside of the aquarium set and lighting day exteriors....more
Miranda takes questions from the ASC Breakfast Club audience....more
The philosophy behind his and director Ang Lee’s choices on Life of Pi, and the technology necessary to realize those choices while shooting....more
Working at low light levels and other ways of breaking the “rules” of shooting 3-D, and not letting visual-effects work negatively impact his lighting on set. ...more
His approach to creating “exteriors” on a stage, working with practical lighting fixtures, and the importance of cinematographers taking ownership of the image. ...more
Miranda retraces his climb through the ranks and stresses the importance of preparation, preproduction testing and maintaining an open mind. ...more
Edlund takes questions from the ASC Breakfast Club Audience....more
How he and his collaborators put four Michael Keatons in the same frame, why Multiplicity would not have been possible without digital compositing, his time at Boss Film with working as a freelance visual-effects supervisor. ...more
Replacing the production’s first visual-effects supervisor, and some of the fixes he had to perform. ...more