This brief glimpse is just the beginning of the possibilities. If we as a community are willing to expand our toolsets, the returns can be extraordinary.
It’s easy to feel intimidated when you’re facing your first feature, and it’s especially daunting when you know you’ll have limited crew and resources.
The cinematographer details his experience while shooting this fantastical series based on the long-running DC Comics title — combining the Arri Alexa LF with Panavision T Series anamorphics for a distinctive look.
Firearms experts and cinematographers form relationships that go beyond mutual respect. We share many characteristics. We want it good, we want it safe, we want it quick, and we want it within budget.
Writer-director Alison McAlpine, director of photography Benjamín Echazarreta, visual-effects cinematographer Mathieu Laverdière and visual-effects supervisor Philippe Toupin discuss the making of this award-winning documentary.
The cinematographer details her experience on the creative endurance test of shooting a weekly series.
Bringing a new perspective the docs-adventure series Whale Wars with aerial camera drones also established a new layer of security for the show's majestic stars.
Cinematographer Gerardo Puglia and directors Todd and Jedd Wider discuss combining film and digital capture while making their stark, haunting documentary.
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