January 2016
FeatureLarge Format: Ultra Panavision 70
Large formats are a key development in current cinema, and I hope to write several posts on the subject in the coming months. This post is about Ultra Panavision 70.
Large formats are a key development in current cinema, and I hope to write several posts on the subject in the coming months. This post is about Ultra Panavision 70.
A personal tribute to my friend Vilmos Zsigmond, ASC, HSC.
December is the occasion to look back at six cinematic trends of the past year, while also recalling some of the wonderful films I saw in 2015.
An interview with cinematographer Hoyte van Hoytema, FSF, NSC, and gaffer David Smith about some of their lighting setups for the James Bond movie Spectre.
This photo album serves as a journal of my experiences at the 2015 Camerimage International Film Festival, the biggest and best cinematography festival in the world.
Greetings from Bydgoszcz, Poland, where the Camerimage International Film Festival will start tomorrow. The biggest and best cinematography festival in the world, Camerimage attracts famous masters, emerging cinematographers, film students and other filmmakers from across the world.
An interview with Sam Mendes. The first of two posts about the James Bond movie Spectre, directed by Mendes and shot by Hoyte van Hoytema, ASC, FSF, NSC.
This post complements my article about Sicario, directed by Denis Villeneuve with cinematography by Roger Deakins, ASC, BSC, in the October 2015 issue of American Cinematographer. In this interview, Roger focuses on several lighting examples from the film.
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