In this production shot from A Complete Unknown, the crew captures actor Monica Barbaro performing as folk luminary Joan Baez. (Image courtesy of Searchlight Pictures.)
News

February 2025 Edition of AC Arrives

Highlights include A Complete Unknown and Maria and profiles on ASC Awards honorees Bartkowiak, Goi and Romano.

David E. Williams

Our February 2025 issue of American Cinematographer presents coverage of the features A Complete Unknown, Maria and Oh, Canada, in addition to profiles of honorary ASC Award recipients Andrzej Bartkowiak, ASC (Lifetime Achievement); Michael Goi, ASC, ISC (Career Achievement in Television), and Pete Romano, ASC (Curtis Clark ASC Technical Award), and a look at drone cinematography.


On Our Cover: Timothée Chalamet stars as Bob Dylan in A Complete Unknown (2024), shot by Phedon Papamichael, ASC, GSC. (Image courtesy of Searchlight Pictures.)

Complete details:


• President’s Desk: Shelly Johnson, ASC reflects on the expressive imagery in Sidney Lumet’s The Verdict, shot by 2025 ASC Lifetime Achievement Award honoree Andrzej Bartkowiak, ASC.


Phedon Papamichael, ASC, GSC details his ASC Award-nominated collaboration with director James Mangold on A Complete Unknown, which chronicles the early days of Bob Dylan’s career.


Ed Lachman, ASC discusses his ASC Award- and Oscar-nominated Pablo Larraín’s Maria, which depicts the final days of legendary opera singer Maria Callas.


Shooting Maria (2024), director Pablo Larraín (far left) and Ed Lachman, ASC (at camera) set up a shot on the show’s bedroom set. (Photo courtesy of Netflix.)

Cinematographer Andrew Wonder discusses shooting the drama Oh, Canada for director/writer Paul Schrader, his longtime mentor.


ASC Lifetime Achievement Award honoree Andrzej Bartkowiak, ASC recalls his path from Poland to Hollywood, including a decades-long collaboration with Sidney Lumet and contributions to many other memorable projects.


Career Achievement in Television Award honoree Michael Goi, ASC, ISC reflects on his creative journey from low-budget filmmaking in the Midwest to the top tier of American television.


Curtis Clark ASC Technical Achievement Award honoree and HydroFlex founder Pete Romano, ASC recalls a career of innovation as an underwater cinematographer and engineer.


Nicole Hirsch Whitaker, ASC and Beverly Hills Aerials chief aerial cinematographer Caleb des Cognets discuss how drones can be leveraged in preproduction and production, and AC spotlights recent innovations at DJI, Freefly, Flying Monster, Lightcraft, Helinet and Helicopter Film Services.


• Clubhouse News: The latest bulletins from the Society feature new members Katelin Arizmendi, David Lanzenberg, John Grillo and Peter Menzies Jr.; and a recap of AC-presented screenings of Emilia Pérez and A Complete Unknown in partnership, respectively, with Netflix and Sony.


Wrap Shot: I’m Not There, shot by Ed Lachman, ASC and directed by Todd Haynes.


Print subscribers have this issue in hand now and the digital edition will be live soon. You can also purchase this issue here.


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