June 2017
Lighting a Beer Pour - Shooting the Pour
The crew captures a number of takes with two different focal lengths, and Bill Bennett, ASC emphasizes the importance of checking the recording media between setups. ...more
The crew captures a number of takes with two different focal lengths, and Bill Bennett, ASC emphasizes the importance of checking the recording media between setups. ...more
Patrick Cady, ASC and his camera crew discuss some of the tools of their trade, the ingredients of a successful collaboration, and the more creative ways he and his crew have employed LED lights....more
In creating a sense of the morning light just before sunrise, Michael Goi, ASC works with muslin and a large fixture, and he also rigs a lighting cue to supplement a practical lamp. ...more
Cinematographer Jack Green, ASC demonstrates how lighting shapes the way an audience perceives a scene emotionally, in this a single key source with minimal fill and practical lights....more
American Society of Cinematographers Museum curator Steve Gainer, ASC accepts a new donation — a Pathé Studio camera owned by pioneering cameraman Arthur C. Miller, ASC. ...more
The German cinematographer details his creative approach to shooting the unique feature version of an art installation project....more
Act now to receive 12 issues of the award-winning AC magazine — the world’s finest cinematography resource.