2025 Emmy Nominees Include 7 ASC Members

The 77th annual Primetime Emmy Awards nominations were revealed by the Academy of Television Arts and Sciences on the morning of July 15, with the American Society of Cinematographers well represented within this year's pool of talent.

The primary 77th Emmy Awards ceremony will broadcast live on CBS on Sunday, September 14, (8-11 p.m. est/5-8 p.m. pst) from the Peacock Theater at L.A. Live and will also stream via Paramount Plus the same day. The 77th Creative Arts Emmy Awards take place at the Peacock Theater over two consecutive nights on Saturday, September 6, and Sunday, September 7, with an edited presentation to air on Saturday, September 14, at 8 p.m. est/pst on FXX.

Here are the nominees in each category for camerawork (a complete list with all Emmy categories can be found here):

Outstanding Cinematography For A Series (Half-Hour)

Emily In Paris • "Masquerade" • Netflix • MTV Entertainment Studios, Darren Star Productions, and Jax Media for Netflix
Seamus Tierney, Director of Photography

Georgie & Mandy's First Marriage • "The 6:10 To Lubbock" • CBS • Chuck Lorre Productions in association with Warner Bros.
Television
Buzz Feitshans IV, Director of Photography

Hacks • "I Love LA" • HBO | Max • Universal Television in association with Paulilu, First Thought Productions, Fremulon
Productions, 3 Arts Entertainment
Adam Bricker, ASC, Director of Photography

The Righteous Gemstones • "Prelude" • HBO | Max • HBO in association with Rough House Pictures
Paul Daley, Director of Photography

The Studio • "The Oner" • Apple TV Plus • Lionsgate Television in association with Apple
Adam Newport-Berra, Director of Photography

Outstanding Cinematography For A Series (One Hour)

Andor • "Harvest" • Disney Plus • Lucasfilms Ltd.
Christophe Nuyens, SBC, Director of Photography

The Day Of The Jackal • "Episode 1" • Peacock • Peacock Original, Carnival Films
Christopher Ross, BSC, Director of Photography

Étoile • "The Swap" • Prime Video • Amazon MGM Studios, Big Indie, Dorothy Parker Drank Here Productions
M. David Mullen, ASC, Director of Photography

Pachinko • "Chapter Nine" • Apple TV Plus • Media Res / Blue Marble Pictures in association with Apple
Ante Cheng, Director of Photography

Severance • "Hello, Ms. Cobel" • Apple TV Plus • Fifth Season in association with Apple
Jessica Lee Gagné, Director of Photography

The White Lotus • "Killer Instincts" • HBO | Max • HBO in association with Rip Cord and MC Pictures
Ben Kutchins, ASC, Director of Photography

Outstanding Cinematography For A Limited Or Anthology Series

Adolescence • "Episode 2" • Netflix • Warp Films, Matriarch Productions and Plan B for Netflix
Matthew Lewis, Director of Photography

American Primeval • "Episode 1" • Netflix • A Netflix Series / Grand Electric / Film 44
Jacques Jouffret, ASC, Director of Photography

Disclaimer • "I" • Apple TV Plus • Apple Studios, co-produced by Esperanto Filmoj and Anonymous Content
Emmanuel Lubezki, ASC, AMC, Director of Photography
Bruno Delbonnel, AFC, ASC, Director of Photography

The Penguin • "Top Hat" • HBO | Max • HBO in association with Acid and Tender Productions, 6th & Idaho Motion Picture
Company, Dylan Clark Productions, Chapel Place Productions, Zobot Projects, DC Studios, and Warner Bros. Television
David Franco, Director of Photography

Zero Day • "Episode 2" • Netflix • A Netflix Series / Grand Electric / Prologue Entertainment / Canal Productions, Inc /
Glickmania / Whatever Lola Wants Productions, Inc.
John Conroy, ASC, ISC, Director of Photography

Outstanding Cinematography For A Nonfiction Program

Chef's Table • "Jamie Oliver" • Netflix • Boardwalk Pictures and David Gelb Planetarium for Netflix
Adam Bricker, ASC, Director of Photography

100 Foot Wave • "Chapter III - Cortes Bank" • HBO | Max • HBO Presents, Topic Studios, Library Films, Amplify Pictures
Michael Darrigade, Cinematography by
Vincent Kardasik, Cinematography by
Alexandre Lesbats, Cinematography by
Laurent Pujol, Cinematography by
Karl Sandrock, Cinematography by
Chris Smith, Cinematography by

Ren Faire • "Daddy's Dyin', Who's Got The Will?" • HBO | Max • HBO Documentary Films presents a production of Elara Pictures
in association with To Be Formed and Widow’s Peak
Nate Hurtsellers, Director of Photography

Tucci In Italy • "Tuscany" • National Geographic • BBC Studios Specialist Factual Productions and Salt Productions for National
Geographic
Matt Ball, Director of Photography

Will & Harper • "Netflix" • A Netflix Documentary / A Wayfarer Studios Film / A Delirio Films Production / A Gloria Sanchez
Production
Zoë White, ACS, Director of Photography

Outstanding Cinematography For A Reality Program

The Amazing Race • Series Body Of Work • CBS • WorldRace Productions, Inc.
Joshua Gitersonke, Director of Photography
Bryan T. Adams, Camera
Kathryn Barrows, Camera
Kurt Carpenter, Camera
Petr Cikhart, Camera
Stephen A. Coleman, Camera
David D'Angelo, Camera
Matthew Di Girolamo, Camera
Adam Haisinger, Camera
Jamie Holland, Camera
Kevin R. Johnson, Camera
Jay Kaufman, Camera
Ian Kerr, CSC, Camera
Tim Laks, Camera
Regan Letourneau, Camera
Daniel Long, Camera
Lucas Kenna Mertes, Camera
Ryan Shaw, Camera
Will Shipp, Camera
Holly Thompson, Camera
Alan Weeks, Camera

Life Below Zero • Series Body Of Work • National Geographic • BBC Studios
Michael Cheeseman, Director of Photography
Danny Day, Director of Photography
Jason Hubbell, Director of Photography
Ben Mullin, Director of Photography
Charlie Beck, Director of Photography
Dwayne Fowler, Director of Photography
Jensen Walker, Director of Photography
Brian Bitterfeld, Director of Photography
Jeffrey Alexander, Camera
Tyler Colgan, Camera
Ashton Hurlburt, Camera
Jayce Kolinski, Camera
Wayne Shockey, Camera

Love On The Spectrum • "Episode 7" • Netflix • Northern Pictures for Netflix
Dave May, Cinematography by
Cian O'Clery, Cinematography by

Survivor • Series Body Of Work • CBS • MGM Television
Scott Duncan, Director of Photography
Peter Wery, Director of Photography
Russ Fill, Director of Photography
Cullum Andrews, Camera
Tim Barker, Camera
Marc Bennett, Camera
James Boon, Camera
Paulo Castillo, Camera
Rodney Chauvin, Camera
Chris Ellison, Camera
Ben Gamle, Camera
Nixon George, Camera
Marcus Hebbelmann, Camera
Derek Hoffmann, Camera
Matthias Hoffmann, Camera
Toby Hogan, Camera
Derek Holt, Camera
Efrain "Mofi" Laguna, Camera
Kyle McAuley, Camera
Ian Miller, Camera
Nico Nyoni, Camera
Paul Peddinghaus, Camera
Louis Powell, Camera
Thomas Pretorius, Camera
Erick Sarmiento, Camera
Dirk Steyn, Camera
John Tattersall, Camera
Holly Thompson, Camera
Paulo Velozo, Camera
Christopher Barker, Director of Aerial Photography
Granger Scholtz, Director of Aerial Photography
Nic Van Der Westhuizen, Aerial Camera Operator
Dwight Winston, Aerial Camera Operator
Kenny Hoffmann, Aerial Camera Operator

The Traitors • Series Body Of Work • Peacock • Peacock Original, Studio Lambert
Siggi Rosen-Rawlings, Director of Photography
Matt Wright, Director of Photography
Jack Booth, Camera
Alex Bruno, Camera
Ned Ellis-Jones, Camera
Ollie Green, Camera
Quin Jessop, Camera
Guy Linton, Camera
Joshua Montague, Camera
Paul Rudge, Camera
James Spencer, Camera
Matt Thomson, Camera
Alex Took, Camera
Melvin Wright, Camera

Explore AC's coverage of this year's Emmy-nominated cinematography:

Adam Newport-Berra on Crafting "The Oner" for The Studio

Jacques Jouffret, ASC on Shooting American Primeval

Christophe Nuyens, SBC, Damián García and Mark Patten, BSC Talk Andor (Season 2)

Christopher Ross, BSC Breaks Down His Lighting Strategy for The Day of The Jackal's Opening Scene

M. David Mullen, ASC Brings Hollywood-Musical Influences to Étoile

Jessica Lee Gagné Meets the Technical and Creative Challenges of Severance (Season 2)

Bruno Delbonnel, ASC, AFC and Emmanuel Lubezki, ASC, AMC Bring Distinct Perspectives to Disclaimer

Adam Bricker, ASC Shares His Spectral Recipe for Shooting Chef's Table

John Conroy, ASC, ISC Steeps Zero Day in Moody Atmosphere