American Cinematographer interviews cinematographers, directors and other filmmakers to take you behind the scenes on major studio movies, independent films and popular television series.
Subscribe on iTunesJim Hemphill
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Episode 103Joker / Lawrence Sher, ASC
The cinematographer discusses his sixth collaboration with director Todd Phillips, which he calls “the most uncompromised thing we’ve done to date.”
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Episode 102Jojo Rabbit / Mihai Mălaimare Jr.
The cinematographer discusses his collaboration with director Taika Waititi and how he photographed this satirical black comedy set in Nazi Germany.
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Episode 88Cloak and Dagger / Tami Reiker, ASC
The cinematographer details her visual approach to shooting the pilot for this Marvel superhero series, reteaming with director Gina Prince-Bythewood.
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Episode 86Tully / Eric Steelberg, ASC
The cinematographer discusses his work in this comedic drama, written by Diablo Cody and directed by Jason Reitman.
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Episode 79Sense8 / John Toll, ASC
Oscar-winning cinematographer John Toll, ASC discusses his work in the ambitious sci-fi thriller series Sense8, in which a diverse group of eight individuals located around the world find that they are connected via a mysterious form of telepathy.
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Episode 78Get Out / Toby Oliver, ACS
Cinematographer Toby Oliver, ACS discusses his work in the horror hit written and directed by Jordan Peele, which has received near-unanimous critical acclaim.
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Episode 73No Subtitles Necessary: Laszlo & Vilmos / James Chressanthis, ASC, GSC
James Chressanthis, ASC, GSC discusses his documentary, the influence of László Kovács and Vilmos Zsigmond on the field of cinematography, and their influence on his own development as a director of photography.
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Episode 71Louder Than Bombs / Jakob Ihre
Director of photography Jakob Ihre sits down with filmmaker Jim Hemphill to discuss his work on the acclaimed independent film Louder Than Bombs.
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Episode 54Saving Mr. Banks / John Schwartzman, ASC
John Schwartzman, ASC discusses his work on the modestly budgeted character-driven movie, Saving Mr. Banks, discussing the choice to shoot on film and how they recreated 1960s Los Angeles using no digital mattes or effects.
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Episode 52Nebraska / Phedon Papamichael, ASC
Nebraska cinematographer Phedon Papamichael, ASC discusses working with Alexander Payne, the benefits of shooting black-and-white in the digital age and shooting a road movie in real locations with many local actors.
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