July 2025

Dream Thieves: Wally Pfister, ASC and Christopher Nolan on Inception

This in-depth look at the making of Inception first appeared in American Cinematographer's July 2010 issue. For full access to our archive, which includes more than 105 years of essential motion-picture production coverage, become a subscriber today. Tight security is in place on Universal Studios’ Stage 12 as a film crew readies for a take on a surreal-looking set: A large, high-ceilinged vault with black walls divided into blocks by a grid-like pattern of thin, white lines. More than 100 space lights are positioned overhead, above a layer of Full Grid and another layer of muslin; the light they cast is neutral, sterile and shadowless. Actor Cillian Murphy kneels on the floor. At the call of “Action!” two cameras roll, one capturing the...more

Inception Feature

Historical


O Brother Feature
July 2025

Escaping From Chains: O Brother, Where Art Thou?

Cinematographer Roger Deakins, ASC, BSC departs from traditional methods on Joel and Ethan Coen’s O Brother, Where Art Thou?, using digital wizardry to lend the Depression-era jailbreak tale a customized look....more

Caught Barbara Bel Geddes and James Mason F Eatured
April 2025

Caught: A Lost Noir Classic

Legendary director Max Ophuls and accomplished cinematographer Lee Garmes, ASC lent their skills to a widely-scorned 1949 picture that has proven its worth over time....more

Ran Featured
March 2025

The Japanese Method for Ran

Legendary director Akira Kurosawa prefers to use multiple cinematographers on all of his films, dating back to 1954's The Seven Samurai. ...more

JFK Garrison Featured
March 2025

The Whys and Hows of JFK

Robert Richardson, ASC details his complex visual approach to director Oliver Stone’s cinematic “counter-myth” to the Warren Commission Report. ...more


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